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Showing posts with label intellectual property. Show all posts
Showing posts with label intellectual property. Show all posts

Tuesday, October 4, 2011

Cha-Cha, one more time



True to the saying that change is the only thing constant in this world, the Philippine Congress is back to its perpetual obsession for amending the Constitution. This time as a bicameral assembly, both houses of Congress have agreed on a formula that will propose revisions in the Constitution without the so-called involvement of the sitting President.

The first time the Philippines had its own Constitution was when the country was on the brink of gaining independence from Spain. It was largely symbolic for it embodied the First Republic until the Americans took over the islands and put the country under its colonial tutelage. Three Constitutions had since been adopted after the Commonwealth era but the Philippines never really became free from American stranglehold, as this latest initiative by the Philippine Congress to amend the Constitution could have been triggered by the constant lobbying of the American ambassador to the country.

Every time a new Constitution was adopted, hopes that the revisions would bring about positive change to the country quickly dissipated, only stirring up yet more calls for another round of revisions.

Just like the popular cha-cha-cha dance, every step forward is followed by a step backward, and that is exactly the enduring pattern of constitutional reform in the Philippines. Aptly termed Cha-Cha for charter change, it is like an affliction that won’t go away.
Cha-cha-cha. Photo courtesy of dabuda. Click image to view "Juana Change -CHACHA,"
 http://www.youtube.com/watch?v=A_Hy-V0MUmo&feature=related
The last time the Philippines had a major overhaul of its Constitution was in 1987 after the fall of the Marcos dictatorship. Ferdinand Marcos himself installed his own Constitution in 1973 which was later superseded by the 1986 Freedom Constitution when Cory Aquino was catapulted to the presidency.

During the administration of Cory Aquino, a period of respite from Cha-Cha fever held sway as she said time and again that she was not interested in changing the Constitution, apparently the same tack now being taken by her son, President Noynoy Aquino.

Failed Cha-Cha attempts

Amending the Constitution was initiated during the terms of Presidents Fidel Ramos, Joseph Estrada and Gloria Macapagal-Arroyo, but the reformers could not agree on the mode of charter change.

Congress wanted revisions through a constituent assembly, with both houses of Congress sitting as one body. But the elected representatives in both houses were not sure how to approve the amendments once drafted and debated by both houses, and they were all consumed by nagging suspicions that the president at the time only wanted to stay in power for a longer term.

Others wanted a constitutional convention, where a separate election would be held to choose the delegates who would draft the amendments to the Constitution. But none of the sitting presidents was as strong as Ferdinand Marcos, the only president able to call a constitutional convention during his regime to draft a constitution to legitimize the New Society. Still others attempted to change the Constitution through a people’s initiative, which was shut down by the Supreme Court twice; first, for lack of an enabling law for the proposed revisions in the 1987 Constitution, and second, for failing to comply with the basic requirements of the Constitution for conducting a people’s initiative.

With the latest Cha-Cha initiative, both houses of Congress will consider amendments to the Constitution separately, vote on their respective proposals in accordance with the required number of votes under the Constitution, and submit the approved changes to a national referendum. But the revisions will only touch on economic provisions, not on structure of the government or term limits of the presidency.

Pressure from the United States

Undoubtedly, the impetus could have come from Washington, D.C. For a long time, the United States has been pressuring the Philippine government to adopt charter change to allow foreign companies to build majority stakes in companies that are currently barred under the present 1987 Constitution.

U.S. ambassador to the Philippines Harry K. Thomas Jr. made no qualms about the American policy to see that the Philippines change its laws and amend its Constitution in order to join the Trans-Pacific Partnership (TPP) which has been endorsed by the U.S. government. The TPP aims to eliminate tariffs among countries who signed up to the regional undertaking by 2015. Among those who have already agreed to participate are Australia, Brunei, Chile, New Zealand, Peru, Singapore, Vietnam and the United States.

During President Noynoy Aquino’s visit to the United States last year, he asked American support for joining the TPP. Aquino told the Council for Foreign Relations in New York: “Envisioned as a platform for economic integration across the region, the TPP countries would be in a best place to become the region’s leading hub for trade, investment and growth.”

So all this talk that President Aquino is not on board the current Cha-Cha initiative could just be a smokescreen. Aquino appears to have given tacit approval to the U.S. ambassador when the latter has been making speeches that the inability of foreign companies to gain a majority stake in the Philippines has been a constraint to economic growth.

In his speech before a forum on Philippine-US relations organized by the Washington-based Asia Society last August 2011, Ambassador Thomas said “our priorities in the Philippines are basically the same as the priorities of the Philippine government.” He added that the United States is currently “pleased to see the Chief Justice of the Supreme Court and also the Speaker of the House now open to changing parts of the Constitution on the economic side.”

The 1987 Philippine Constitution provides that Filipinos should own majority shares (60 per cent) in companies doing business in the country, especially those involved in strategic industries. This provision, however, has easily been circumvented by Congress and other joint oil exploration ventures between the Philippines and foreign companies. The Mining Act of 1995, for instance, masks the mining operations of wholly-owned foreign mining companies as a partnership between the government and the foreign corporation. The Nampalaya project in offshore Palawan is also another example of a partnership between the Philippines and foreign companies that violates the Constitution, whereby Shell and Texaco were allowed to get a 90 per cent stake in the entire project while the Philippine National Oil Corporation is left with only 10 per cent.

Trans-Pacific Strategic Economic Partnership

The Trans-Pacific Partnership (TPP), also known as the Trans-Pacific Strategic Economic Partnership Agreement, is a multilateral free trade agreement that aims to further liberalise the economies of the Asia-Pacific region. The original agreement between the participating countries took effect on May 28, 2006. U.S. President Barack Obama had proposed a target for settlement of negotiations between member-countries by the next APEC summit in November 2011.

The objective of the agreement was to reduce all trade tariffs to zero by the year 2015. It is a comprehensive agreement covering all the main pillars of a free trade agreement, including trade in goods, rules of origin, trade remedies, sanitary and phytosanitary measures, technical barriers to trade, trade in services, intellectual property, government procurement and competition policy.

TPP to make cheaper drugs less accessible

The Trans-Pacific Partnership has been criticized largely for some provisions that threaten to extend restrictive intellectual property rights, which would have geographical ramifications and a broad impact on citizen’s rights, particularly due process, privacy and freedom of expression rights. The agreement would also have lasting restrictive impact on the future of the Internet’s global infrastructure and innovation across the world. In other words, the TPP will rewrite the global rules on intellectual property enforcement.

One example of the obvious deleterious effect of the agreement would be to alter current policy regarding provision of affordable drugs for the prevention and treatment of HIV/AIDS. Expansion of intellectual property barriers would enable pharmaceutical companies to hold or renew patents for longer periods, thus limiting the availability of cheaper generic medicines and treatment. Prices of medications to treat HIV and AIDS globally have fallen dramatically in the past 20 years, largely due to intellectual property legislation which allows for more wide-spread access to patents that used to be heavily guarded by large pharmaceutical companies.

As a result, the TPP will benefit predominantly big transnational companies and powerful countries like the United States. Matthew Kavanaugh, director of the U.S. Advocacy for the Health Global Access Project (GAP), said that the TPP in fact is a “beachfront strategy for gaining a hold in Asia for a certain set of countries, for a certain set of interests."

Cha-Cha and the TPP

If the Philippine Constitution will be amended to open up its patrimony provisions in order to secure membership in the exclusive TPP club, it will be a total sell out of our economy. Once the nationalist economic provisions in the 1987 Constitution are removed, the result will be the unhampered plunder of the country’s resources and the unregulated extraction and repatriation of profits.
For change, Revolution, not Cha-Cha. Photo courtesy of pelikula76.
As in the past, the President and Congress have easily bypassed the Constitution by circumventing its economic provisions that limit foreign ownership and participation in local industries, particularly in the exploration and exploitation of natural resources.

During the previous months, President Aquino signed an agreement allowing China to lease 1.2 million hectares of land for agricultural production. Not to be outdone, Japanese corporations were also able to obtain a lease from the government for one million hectares for bio-fuel production. So obviously, the United States government wants a sweeter deal than the ones the Philippine government has given to China and Japan.

The best minds in the Philippine Congress have not yet started to sit down in earnest and tinker with the economic provisions of the Constitution, yet the country’s wealth and resources are already up for grabs by foreign corporations. This current initiative to amend the Constitution is a mere formality, a charade to cover up what is already a blatant breach of the fundamental law of the land by the very same people who are now championing charter change.

Wednesday, September 28, 2011

The lightness of being original


Sometime ago, someone wrote me a message questioning why I write about politics in the Philippines when I am in Canada. He criticized me for writing about things I haven’t experienced. According to him, I’m just regurgitating information from the Internet or Google. Essentially, what he meant was that I got all of it from reading. In other words, I didn’t have any existential experience of what was happening. So, to him, I wasn’t being “original,” that I have no authority to tell the truth when I haven’t experienced it firsthand.
Originality. Photo courtesy of The Art Bunny. Click image to view
"Xerox Girl's Ass," http://www.youtube.com/watch?v=opJkPYswafk
Normally, I would have just dismissed this letter as a nuisance, for it was totally bereft of anything redeemable. It was something not worth spending my time on. The message, on its face, was clearly nonsensical and nobody in his or her right sense could see any value in pursuing it. Balderdash.

The aforementioned person came short of coercing to stop me from stealing other people’s ideas. “Stop,” he could be saying. “You’re just a hack.”

But on second thought, unknowingly the person could be waxing philosophically. He could be posing an important and relevant question: What is originality, and does it really matter nowadays?

The cultural critic and writer Lewis Hyde wrote in his latest book that anyone who comes up with a totally new idea—something completely out of thin air—will not likely become a productive artist and lot more likely to be seen as a total loon.

Everyone, and every artist, builds on what came before. On ideas he or she has read somewhere, from a novel or poem or from an artwork hanging in a museum. Or from conversations overheard on the street, on the subway or in a café.

If nothing is original, all the great minds and artists, Ben Franklin, William Shakespeare, Alexander Graham Bell, Albert Einstein, Martin Luther King, Jr., Ludwig van Beethoven, Johann Sebastian Bach, Elvis Presley, Madonna, or Lady Gaga—are all thieves.

Historians who have written stories of nations, upheavals and other great events are mere jokers because they only rely on written records, diaries, photographs and other relics from the past.
Frida Kahlo, Self-Portrait, The Broken Column, 1944. Collection of Dolores Olmedo,
Mexico City. Photo courtesy of petrus.agricola. Click image to view "Sketch Sessions:
Three Artists Draw Mia (Seated Nude)," http://vimeo.com/2208981
If we simply accept that “there is nothing new under the sun,” there will never be room for imagination, invention or innovation. Recycling old ideas or putting old content in new ways would be disparaged and discouraged as outright plagiarism. It would be an end to experimentation.

If there is no originality, there would seem no reason to buy or experience “new” works—a book or a painting—because there would be no such things. It’s better and wiser to save our money and simply avail ourselves of the art already in the public domain.

When asked about originality, Jim Jarmusch, an American film director and a major proponent of independent cinema, offered these comments:

“Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photos, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery‚ celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: It’s not where you take things from, it’s where you take them to.”

In The Limits of Interpretation (Advances in Semiotics), Umberto Eco speaks of the “protected meaning” of a text, which at the minimum Eco says is what the text “cannot” mean. This is a recurring problem in today’s advanced state of information technology. As the aforementioned person who wrote that message earlier said that his 11-year old grandson can exactly replicate what I’m doing simply by Googling. What he meant was that it is easier to copy and paste articles and text from websites on the Internet. That would be easy if one is not interpreting, something a minor child no matter how gifted, may find difficult especially when there are issues in the philosophy of language involved or perhaps the need to deconstruct the language used.

In the realm of art, copying is almost always allowed. In law, plagiarism, for instance, is neither a crime nor a civil wrong. But that should not give you the reason to rip off your favourite painting and throw it out in the garbage. That’s not necessarily right.

Robert Lands, a lawyer who specializes in intellectual property, wrote: “Plagiarism may be a taboo in academia, but in art some might say it is almost essential.” If you have the legal recourse in suing for infringement of a copyright, that is not the same as an action against plagiarism. Plagiarism can involve taking an idea, whereas copyright is not concerned with ideas. Ideas, after all, are not copyrightable. If someone is merely copying another’s style or the notion behind an illustration, it is unlikely a copyright infringement.

The influence of those who came before is evident in practically every piece of art. Works of art are largely repetitions of tradition, and it is extremely difficult to provide a rigorous and precise distinction between practices like imitation, stylistic copying, retelling, rewriting, or even forgery. As the playwright Wilson Mizner said, “If you copy from one author, it’s plagiarism. If you copy from two, it’s research.”

All this talk about originality must be taken in context. While content scraping is very easy to do nowadays by copying and pasting from websites and blogs from the Internet, credit must be given to those who present their own painstaking and independent viewpoint. Copying without acknowledging the source must be discouraged or ridiculed, yes, but not at the expense of holding back the progress of ideas and artistic trends.

As Anna Chin-Williams said, “If I plagiarize, it's only because I like someone else’s idea better than mine and I want credit for it.” But that should stop at admiration, the better way still is to make (forge is the operative word) something new from old forms or ideas.